Friday, May 17, 2013
Word Gains by John Laue
A collection of jocular, brainy senryu just out from the Writers and Lovers Studio.
Thursday, April 25, 2013
Write Like a Lover Ebook Cover by Iyza Wojnicki
Four years ago I designed this artwork at HOYA and my husband asked me for the permission to use it for his Write Like a Lover book cover. I own the copyright to my artwork and whoever will use it without my prior permission will be persecuted!
by Iyza Wojnicki
Wednesday, April 24, 2013
Writers and Lovers Studio ISBN!
An International Standard Book Number consists of 4 parts (if it is a 10 digit ISBN) or 5 parts (for a 13 digit ISBN):
ISBN is read from left to right starting with the first two digits as the group number. The second set of numbers is the Publisher number, then comes the Title number and lastly the check digit for the barcode.
Here's some Writers and Lovers Studio ISBN's:
WL Ebook ISBN's
Typhoon 9789868836419
Lie Under the Fif Trees 9789868836433
Tea Room Haiga 9789868836440
Word Gains 9789868836488
Slopes of Lust 9789868836457
Buddha Expats 9789868836464
WL Book ISBN's
Typhoon 978-986-88364-2-6
All our ISBN's have copyright and authorization by author.
ISBN stands for the International Standard Book Number which is a 10-digit number for book identification. This format was developed by the International Organization for Standardization & was published in the year 1970. From the year 2007, ISBN is a format that contains 13 digits which is compatible with Booklan EAN-13s. You can find more information here: en.wikipedia.org
by Writers and Lovers Studio
ISBN is read from left to right starting with the first two digits as the group number. The second set of numbers is the Publisher number, then comes the Title number and lastly the check digit for the barcode.
Here's some Writers and Lovers Studio ISBN's:
WL Ebook ISBN's
Typhoon 9789868836419
Lie Under the Fif Trees 9789868836433
Tea Room Haiga 9789868836440
Word Gains 9789868836488
Slopes of Lust 9789868836457
Buddha Expats 9789868836464
WL Book ISBN's
Typhoon 978-986-88364-2-6
All our ISBN's have copyright and authorization by author.
ISBN stands for the International Standard Book Number which is a 10-digit number for book identification. This format was developed by the International Organization for Standardization & was published in the year 1970. From the year 2007, ISBN is a format that contains 13 digits which is compatible with Booklan EAN-13s. You can find more information here: en.wikipedia.org
by Writers and Lovers Studio
Typhoon Paperback
Typhoon
A
Haibunette with Life Drawings
Writers and
Lovers Studio
Copyright
by Tad Wojnicki©2013
Cover
Design by Iyza Wojnicki
All rights reserved. Published
2013
Printed in Taiwan.
Typhoon: Taiwan Haiku and Life Drawings.
30 pages, 6” x 9”. Price: US$9.00
30 pages, 6” x 9”. Price: US$9.00
1st Paperback Edition
Dr. Teddy and Dr. Cherry are old enough to keep a field trip professional. After all, she is sworn to a psycho scientist, while he is sworn to celibacy. Dropped in the torrid tropics of Taiwan, they manage well. No lines crossed. That is, until the typhoon hits, turning things topsy-turvy.
ISBN 978-986-88364-2-6(平裝).
Dr. Teddy and Dr. Cherry are old enough to keep a field trip professional. After all, she is sworn to a psycho scientist, while he is sworn to celibacy. Dropped in the torrid tropics of Taiwan, they manage well. No lines crossed. That is, until the typhoon hits, turning things topsy-turvy.
ISBN 978-986-88364-2-6(平裝).
Available now at Writers and Lovers Studio and Amazon.com
http://www.amazon.com/gp/product/9868836425
by Writers and Lovers Studio
http://www.amazon.com/gp/product/9868836425
by Writers and Lovers Studio
Starting a new online magazine
Get connected!
We are looking for
short poetry and prose
Writers and Lovers Cafe
Click here!
Get connected!
We are looking for
short poetry and prose
Writers and Lovers Cafe
Click here!
Wednesday, February 27, 2013
Tea Room Haiga
Book Description
I thought, my life would be like Cinderella’s.
Just like she, I would be swept off my feet by my prince.
I thought I would, just like Cinderella, live in fantasy.
But it didn’t turn out that way at all…
Not after years, not after decades.
And I have come to realize
that what I wanted wasn’t Fantasy but Poetry.
I am Iyza, this is my haiku.
Combined with my photography and the translations
into Tagalog, Chinese, and Punjabi.
This is my first ebook.
Available now!
Friday, February 15, 2013
Who Needs a Writing Workshop?
Every local newspaper lists free opportunities for self-improvement
— art classes, aerobic workouts, meditation zazens, book schmooze-fests and, of
course, writing workshops. Plenty to choose from.
So when a well-known writing workshop leader shot at me,
“Why don’t you teach your own writing workshop?” I was dumbstruck.
“Who needs another writing workshop?” I asked.
Today, having taught a creative writing workshop for
almost twenty years, I don’t ask anymore. I know now there’s plenty of room for
self-improvement.
But throughout all these years I haven’t stopped asking
myself: What makes one come? What makes one stay? What makes a workshop a learning
experience?
Teaching the workshop afforded me a close look into myself — the reasons my work-shoppers come, it turned out, are the same reasons that made me always come:
1.Pregnant with a story.
Bad things happen to all of us. We have to exteriorize the
experiences in order to become stabilized — “Everybody has a story to tell,”
the saying goes. We need to unload the burden. To unload the burden writers need
to write it, unload it in writing.
Sometimes, the burden is happiness. Recently, a story
written in the workshop placed second in The Heartlight Journal’s Childhood
Memories Contest. For the Author, John, it was the first publishing credit and
first cash won for writing. Traditionally, we threw a party for the winner.
What’s fascinating, for John, 75, the workshop exercise was a part of his
reconciliation with his family — a happiness he could hardly wait to unload.
Most of the times, alas, the burdens haven’t been
happiness.
Some of my work-shoppers have shared stories of child
abuse, rape, heart-attacks, homophobia and anti-Semitism. We
listen, let the writer relieve the past, offer a hug, sometimes a glass of
wine. We sympathize. We identify. We suffer all.
However, writers get a terrific break: why other people
cry sharing their misfortunes, writers laugh all the way to the bank.
2. Community of writers.
I have known a party animal or two among my writing friends, but writing is the loneliest business. Must be. Writing is expressing one’s crazy vision — can’t be done in company. On the other hand, we need the community of other crazy people to stay sane.
Teaching the workshop made me also realize why
work-shoppers stay. They stay for the same reason I have always stayed in any
workshop:
3. Work-shoppers keep writing.
There’s no ersatz for the joy of the act of jotting words
down on paper. Without writing a writer is not a writer. The highways to
success are littered with wanna-Be’s.
But distractions and discouragements are aplenty and it
takes a true aficionado to never stop. Therefore most people need the sound of
pen scratching the paper to keep going. A workshop provides just that.
You forget the chores, bores, and worries, and happily go
on, writing for your life.
4. Feedback.
I mean real feedback — an ongoing, knowledgeable critique of your work in progress — not a kiss you get from your Mummy, or a dismissing shrug from an ignoramus. I teach my work-shoppers the basics of literary criticism. They learn fast. In turn, they give each other incisive, zingy, caring critiques. “Never show a fool half-completed work,” a Jewish wisdom warns.
Finally, there is a reason that was the real reason that
made me start my workshop:
5. Nurturing.
This doesn’t mean spoon-feeding. Doesn’t mean
breast-feeding. It means brain-storming, welcoming any attempt at
self-expression, being non-judgmental, and offering total unconditional support
to any honest try.
Warning: Most groups have an executioner, killing free
expression of other work-shoppers. How do I know? I’ve been the terror of
some workshops myself. Now, I make sure that my work-shoppers feel safe to say
what they want to say when they want to say it.
Who needs it? We all do.
A good workshop is not just a workshop, it’s an
opportunity for self-expression. Self-expression must be trained, nurtured.
It’s great to watch people blossom, age notwithstanding.
By Tad Wojnicki
Write Like a Lover!
The article has previously appeared in:
Quote of the Week
"Twenty
years from now you will be more disappointed by the things you didn't do than
by the ones you did do. So throw off the bowlines. Sail away from the safe
harbor. Catch the trade winds in your sails. Explore. Dream. Discover."
~ Mark Twain
Wednesday, February 13, 2013
eBook Talk
A Dispatch from My British Columbia Cafe Table
Still, being a writer is a large achievement. That means one
can spell, use correct grammar, edit, plan and research, structure and
categorize and teach. Being an author means one has published, even once. If
one has published even once, one can publish again. That is why one must not give
up. Even just thinking about writing is writing, because one exercises a
faculty of the brain that has something to do with creative work.
by Ivan Marinov Tzidinov
Quote for the Week
"It is
necessary to write, if the days are not to slip emptily by. How else, indeed,
to clap the net over the butterfly of the moment? For the moment passes, it is
forgotten; the mood is gone; life itself is gone. That is where the writer
scores over his fellows: he catches the changes of his mind on the hop."
~ Vita Sackville-West
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